In accordance with the art. 13 section 1 and 2 of the European Parliament and Council Regulation 2016/679 of the 27th April, 2016 on the protection of natural persons, with regard to the processing of personal data and on the free movement of such data, and repealing Directive 95/46/EC (General Data Protection Regulation), hereafter RODO, I hereby inform that:
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9. You have the right to lodge a complaint to the Personal Data Protection Office when in your opinion the data processing violates the regulations of General Data Protection Regulation of the 27 April, 2016 (RODO).
10. Your data will be automatically processed, including the form of profiling. 11. You are obligated to forward above mentioned information to your representative, especially if you appointed this person in the agreement as the contact person or as the representative for the agreement execution.
Unreal Engine architectural scene - making of Archinteriors for Unreal vol. 3.
This is our second scene from Archinteriors for Unreal Engine vol. 3. It has two floors and is set in winter wonderland. We added a snow particle system and winter landscape with low poly trees.
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Unreal Engine 4 screenshot.
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Unreal Engine 4 screenshot.
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Unreal Engine 4 screenshot.
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Unreal Engine 4 screenshot.
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Unreal Engine 4 screenshot - top view.
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Unreal Engine 4 screenshot - top view.
Walktrough - as you can see the scene is optimized - it works fluently on modern hardware (120+ FPS). System specs:
This walktrough was recorded on the following machine:
GPU: ASUS STRIX GTX 980 Ti
CPU: Intel Core i7 5820K, Core Speed 3,6 Ghz
64 GB RAM
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Post-process volume box is slightly larger than a building itself.
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Post-process settings - they are affecting players and cameras inside the building only - we lowered bloom intensity, changed contrast settings, applied warm tint and desaturated the whole scene a bit.
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More post-process settings. Unreal Engine gives you a possibility to use different post-processing in different areas of the scene. If you want, you can even bind post-processing settings with events.
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Something that differentiates Unreal from typical 3d software is easy particle creation and the fact that you can see particles flowing in realtime in your viewport.
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You can edit your particles in particle editor - here's where you choose lifetime of particles, spawn rate, etc.
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More particle system settings - Lifetime distribution controls how long each snow petal will last. We set minimum at 5 and the maximum at 14. By increasing these values you will get denser snow.
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Translucent petal material. It is emmisive and not completely opaque.
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Achieving good reflections in Unreal sometimes requires faking them - Unreal Engine blends reflection that are captured by Reflection Capture Spheres. The top priority has the sphere closest to the surface.
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Small light sources.
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Just low-intensity point lights will get the job done - settings are on the right.
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Another additional light - this time it's not a point light but a spot light with controllable cone radius.
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Spot light - more settings.
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The pillow mesh with applied material.
The pillow mesh - solid / wireframe (drag slider).
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All materials from this scene are based on one optimized base shader material made by Evermotion.
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Base shader is flexible when it comes to scale and tiling - so no matter if we want to make some fast material for an object far from camera or a very detailed material for the object that is close, we can achieve it with an instance of this shader.
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Main outside light source - directional light settings.
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Rendering settings. You can notice that we turned up Reflection Capture Resolution from standard 128 to 512.
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Small details increase realism - these cones were originally made for our Scandinavian props colelction - Archmodels vol. 134 (for 3ds Max, V-Ray and C4D). We converted them and placed in Unreal Engine.
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The building without the roof - more detailed look on construction details.
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