Information Clause

In accordance with the art. 13 section 1 and 2 of the European Parliament and Council Regulation 2016/679 of the 27th April, 2016 on the protection of natural persons, with regard to the processing of personal data and on the free movement of such data, and repealing Directive 95/46/EC (General Data Protection Regulation), hereafter RODO, I hereby inform that:

1. EVERMOTION S.C., 8 Przędzalniana Str., 15-688 Białystok, Poland is the Administrator of your Personal Data (APD)

2. Data Protection Inspector can be reached through e-mail: iod@evermotion.org

3. Your personal data are to be processed on the basis of art. 6 section 1 letter a, b and f of RODO in order to:
a) prepare, conclude and execute the agreement and for other purposes approved by you,
b) to execute the legitimate interest like marketing of products and the agreement, claim assertion or defence against claims resulting from the law regulations.

4. Entities entitled to the reception of your personal data may be the authorised public bodies; mail providers; providers of the services covered by the agreement; responsible for debt recovery, keeping the archives, document utilization, legal consulting, technical services, IT services and accountancy.

5. Your personal data shall not be transferred to the third country, nor to the international bodies.

6. Your personal data shall be processed within the period of the agreement and upon your additional consent until you withdraw it. APD shall keep the data for the period of any civil law claim execution connected with the agreement.

7. You have the right to demand an access to your personal data, to correct or to delete the data if there is no other basis for the processing or any other purpose of such processing or to limit the processing of the data, to transfer the data to another administrator and to raise objections to the further data processing if there is no legal basis for further processing and to withdraw any previous consent.

8. You provide the personal data voluntarily, however they are necessary to conclude the agreement. The refusal of providing such data may result in the refusal of the agreement conclusion.

9. You have the right to lodge a complaint to the Personal Data Protection Office when in your opinion the data processing violates the regulations of General Data Protection Regulation of the 27 April, 2016 (RODO).

10. Your data will be automatically processed, including the form of profiling.
11. You are obligated to forward above mentioned information to your representative, especially if you appointed this person in the agreement as the contact person or as the representative for the agreement execution.

Normafa House

Victor Fretyan 2009-04-07 00:00 tutorial > Making of > compositing

| 7

POST PROCESS

Here is the pure render. It is saved in TGA format with the alpha channel as well. As you can see it is a bit far from the end result yet.

The first thing to do with the original render is some adjustments: some parts of the image remained dark while some are a bit burnt. To even things out I select a region and press ctrl+J. This will make a copy of that region on which I used exposure adjustments and shadow, highlights. When it looks okay I blend it in the original by using eraser tool on the edges of this region (hardness on 0).

After the image feels balanced (no black nor burnt areas) comes color balancing: first thing to do here is to make the image a bit brighter. I go to exposure control again and set the gamma to around 1-1,5. This will make the image really bright and will spoil the contrast. But believe me it will work! Press ctrl+B now. Color balancing comes up. I used the following settings to set the right color tones:

These exact settings can't just be applied to any other image expecting to achieve the same result but the basic idea is to set the darker tones to the warmer colors and the midtones to the blueish color tone. Highlights remained untouched.

Here's the final result after I was done with the adjustments:

POST PROCESS

Next step for me was to give the concrete some dirt. I could have done this in max but I found this method much easier. This is how I made it: first I found a proper texture at cgtextures.com (every texture I use is from that site). I copy paste it in the psd I was working in and set the layer to overlay instead of normal. By pressing ctrl+T I could adjust it correctly onto the walls. I also used erase tool a lot here and set the opacity to 50 percent. Here is the dirt layer (it is swithced back to normal from overlay to show you):

And here it is applied on the render:

At this point I flattened the image.

Now comes zdepth (rendered between 0 and 50 meters):

First thing was to use color-select tool to select the black areas on the zdepth layer and then swhitch back to the flattened image and press ctrl+J. Now we have only the things in the back on a seperate layer. I turned the gamma high up around 1,5-2,0 (exposure control) and set the midtones to cyan-blue (color balance, ctrl+b). This gave our scene a bit depth already by dividing the background and the forground. This was important to creat that atmospherical bluish "fog" caused by air in real life.

Now the depth of field:

I added some gaussian blur to the zdepth map (around 2,0).

Then I selected the whiter tones (color select again) and pressed ctr+J again on the render layer and added some lens blur on it (only the slightest!). I went to zdepth layer again and used color-select again but now on a smaller value. Ctrl+J (again) on the render layer and some lens blur (again...) on it (this time a bit stronger) and moved this layer to the top. I repeated this last move some more times but with smaller color-select value and higher lens blur.

This method for lens blur is a bit lame I know but I have tried several and this in the end nothing worked out perfectly.

Last thing to add here is the glowing effect of the sky through the leaves. For this I have used color select tool again on the white color then ctrl+J and then a very small gaussian blur (around 0,5-1,0 or even lower!) and duplicating this layer a lot of times. Then merging these layers and using erase tool on some parts of it and then it is set.

Here is the result so far: notice the bluish atmospherical fog in the back! Also I adjusted some on the colors of the grass again. The glowing of the sky rite now looks very inapropriate but it will change later on after applying the lens effects.

POST PROCESS

In the last part I flattened the image once more and added some effects using different plugins. First one was Knoll Light Factory. It is a great plugin! I recommend everyone to get it. I used it to create the lights in the sky. The one on the left is pretty obvious. It is a warm light for the sun. But I have another one slightly visible on the right side of the building that has a magenta color.

Next one is chromatic aberration done by 55mm Film Tool. Nowdays everyone is familiar with this effect but I find that most people don't seem to get it right. It is an effect that can be really annoying if you abuse it. I say if it is clearly visible it is already wrong! It's a matter of testing and finding the right balance. Here is my attempt:

Next one is vignetting also by 55mm Film Tool. First I duplicate the layer to be able to modify it later like erasing it from some parts wich I did in the top left corner of the image.

Last is the film grain for which I have used NIK color effects film effect tool. It is on a seperate layer whichs oppacity is set a bit lower (around 50-70 percent).

And here we are! We've come a long way! Check it out:

Author Name: Viktor Fretyan
Date of Birth: August 29, 1983
Gender: Male
Location: Budapest, Hungary

Author: Victor Fretyan

| 7

Tags:

3D models for game developers: from houses and skyscrapers to dilapidated buildings

Game developers understand the importance of visually stunning and highly detailed environments in creating immersive gaming experiences.

Creating realistic landscapes and interiors: How to choose the best 3D plant models

Choosing the right 3D plant models is key to making your digital landscapes and interiors look real.

Enhancing realism in 3D designs: Tips for using models of children, men, and women

When crafting a 3D environment, realism breathes life into your scenes, making them more relatable and engaging.

Best free and paid 3d animal models: which to choose for your project?

When embarking on a new 3D modeling project, selecting the right animal models is more than just a technical decision; it’s about bringing your vision to life while staying within your project's scope and budget.

Chaos Corona 12 Released

What new features landed in Corona 12?

The importance of 3D models in architectural and urban design

In the design world, seeing what a finished project will look like before it's built is crucial.

Using 3D models in game design: Innovative approaches to production

In game development, 3D modeling is now a fundamental shift towards creating immersive and visually captivating gaming experiences.

Virtual reality and 3D modeling: Creating interactive virtual environments

In a world dominated by digital landscapes, virtual reality (VR) and 3D modeling fusion creates immersive realms that inspire and captivate.

Enhancing realism in 3D designs: Tips for using models of children, men, and women

When crafting a 3D environment, realism breathes life into your scenes, making them more relatable and engaging.

Making of "Chopin's Dream" Corona Animation

Behind the scenes of architectural animation.

Window Glass Bending For Realistic Exteriors

New tutorial by RenderRam.

How to Master Exposure (V-Ray / Corona / DSLR)

Let's Talk about Exposure Control.

Known Unknown Depths Of 3ds MAX - Vol.11

New Tips by RenderRam!

Photorealistic lighting of Archexteriors scene with Vermeer

Is it the most sophisticated lighting solution ever?

New Baking in Substance 3D painter 8.3

This video covers Painter 8.3's new baking features.

EVERMOTION. All rights reserved. Copying and publishing without permition is forbidden. Evermotion is a company that produces high-quality 3D models, scenes, textures and tutorials. Our main products are 3d models and scenes collections: Archmodels, Archinteriors and Archexteriors, HD cars and 3D people. Evermotion is also a 3d software dealer, cooperating with companies such Chaos Group, Corona Renderer, Pixologic and iToo software to bring you the latest, cutting-edge 3d tools for your visualizations. On top of that we undertake orders for 3d projects, animations, V-Ray and Unreal Engine visualizations.

Information Clause

Normafa House

POST PROCESS

3D models for game developers: from houses and skyscrapers to dilapidated buildings

Creating realistic landscapes and interiors: How to choose the best 3D plant models

Enhancing realism in 3D designs: Tips for using models of children, men, and women

Best free and paid 3d animal models: which to choose for your project?

Chaos Corona 12 Released

The importance of 3D models in architectural and urban design

Using 3D models in game design: Innovative approaches to production

Virtual reality and 3D modeling: Creating interactive virtual environments

Enhancing realism in 3D designs: Tips for using models of children, men, and women

Making of "Chopin's Dream" Corona Animation

Window Glass Bending For Realistic Exteriors

How to Master Exposure (V-Ray / Corona / DSLR)

Known Unknown Depths Of 3ds MAX - Vol.11

Photorealistic lighting of Archexteriors scene with Vermeer

New Baking in Substance 3D painter 8.3

Evermotion

Shop

User area

Cooperation

Information Clause

Normafa House

POST PROCESS

User area

Cooperation

Subscribe to our newsletter