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In accordance with the art. 13 section 1 and 2 of the European Parliament and Council Regulation 2016/679 of the 27th April, 2016 on the protection of natural persons, with regard to the processing of personal data and on the free movement of such data, and repealing Directive 95/46/EC (General Data Protection Regulation), hereafter RODO, I hereby inform that:

1. EVERMOTION S.C., 8 Przędzalniana Str., 15-688 Białystok, Poland is the Administrator of your Personal Data (APD)

2. Data Protection Inspector can be reached through e-mail: iod@evermotion.org

3. Your personal data are to be processed on the basis of art. 6 section 1 letter a, b and f of RODO in order to:
a) prepare, conclude and execute the agreement and for other purposes approved by you,
b) to execute the legitimate interest like marketing of products and the agreement, claim assertion or defence against claims resulting from the law regulations.

4. Entities entitled to the reception of your personal data may be the authorised public bodies; mail providers; providers of the services covered by the agreement; responsible for debt recovery, keeping the archives, document utilization, legal consulting, technical services, IT services and accountancy.

5. Your personal data shall not be transferred to the third country, nor to the international bodies.

6. Your personal data shall be processed within the period of the agreement and upon your additional consent until you withdraw it. APD shall keep the data for the period of any civil law claim execution connected with the agreement.

7. You have the right to demand an access to your personal data, to correct or to delete the data if there is no other basis for the processing or any other purpose of such processing or to limit the processing of the data, to transfer the data to another administrator and to raise objections to the further data processing if there is no legal basis for further processing and to withdraw any previous consent.

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9. You have the right to lodge a complaint to the Personal Data Protection Office when in your opinion the data processing violates the regulations of General Data Protection Regulation of the 27 April, 2016 (RODO).

10. Your data will be automatically processed, including the form of profiling.
11. You are obligated to forward above mentioned information to your representative, especially if you appointed this person in the agreement as the contact person or as the representative for the agreement execution.

OK

Alessio Bertotti Showreel 2015

Vimeo 2016-01-05 09:11 article  > Reel

Alessio Bertotti - Showreel Winter 2014 of VFX, Compositing, 3D and Motion Graphics works.

Feature films

  • Avengers: Age of Ultron (Trixter): 00:03 compositing and prep, creation of motion graphics for the holograms.
  • Pixels (Trixter): 00:28 compositing of CG elements and comp look dev of Mario character.
  • The Expendables 3 (Worldwide FX): 00:36 deep compositing of 3D elements, set extension, tracking, keying and cleanup;look dev for the heat/night visor and hud; tracking and compositing of 2D and 3D elements; face replacement using 3D model with projected animated textures.
  • Everest (Important Looking Pirates): 00:49 deep compositing of real characters in the snow storm and set extensions creating matte paintings.
  • After Earth (Pixomondo): 00:55 sequence compositing and keying of foreground and background people, gizmo creation (to create custom zdepth and shadows passess of people projected on cards, using the default Nuke scanline render)
  • Only Lovers Left Alive (Pixomondo): 01:01 dead man replace through 1300 frames using projection tecniques and 3D tracking; sequence compositing with screen replacements in various devices.
  • One Thousand And One Nights (Toboga): 01:07 sequences compositing, set extension, tracking, keying and cleanup.
  • TV Series
  • Constantine (Important Looking Pirates) 01:10 smoke compositing and tracking from 2D elements, CG heads integration; bugs and swarm compositing and integration adding warping and shadows on the skin.
  • Lorenzo negli Stadi: Introduction (iMasterArt): 01:26 VFX supervisor from the bidding to the final product, coordinating a team of artists. Compositing look dev and 3D modeling and animation.
  • Commercials
  • Vision Express (Fieldtrip): 01:36 opening shot compositing, look development, modelling and camera animation, created using multiple footages projected on geometry.
  • Bet365 (Absolute Post): 01:42 backgrounds compositing and hologram head look development and animation through 3D and 2D processes.
  • Direct Line (Fieldtrip): 01:49 sequences compositing through tracking, cleanup and CG integration; headphones modeling, texturing, rendering and compositing; inside chimeny look development.
  • Check24 (Trixter): 02:02 compositing and keying of multiple footages made with motion controls.
  • Mercedes Benz Assist (Pixomondo): 02:07 2D and 3D supervision, modeling, shading and compositing.
  • BMW 5 Series (Pixomondo): 02:14 camera animations and cars rig, to use in the pipeline for automated render of all the configurations of the cars.
  • The Land of Plenti (Fieldtrip): 02:24 tracking and compositing various footages shot with motion control in slow motion, with the addition of 3D elements.
  • Gillette FC (Rumblefish): 02:30 compositing, set extension, keying, rotoscoping, tracking and cleanup; modeling, texturing, shading and rig of various stadium elements.
  • Signal (Toboga): 02:38 rotoscoping and keying.
  • Go Ahead (Fieldtrip): 02:41 packaging replacement using 2D techniques.
  • Smyths (Unit Media): 02:43 compositing, tracking, wire removal/cleanup and sky replacements.
  • Mr Green (Smoke & Mirrors): 02:50 tracking and cleanup setup for the footages done with motion control.
  • Bubbles (Virtual Reality & Multi Media Park): 02:53 lead 2D and 3D artist, dynamics and compositing.
  • Canary Warf (Escape Studios): 02:58 foreground modeling, texturing, shading and lighting using Atomkraft, Mari and Nuke; background done with camera projections; compositing and grading.


Music Video:

  • Something Really Bad (Partizan): 03:01 compositing of the elements that were projected on set. On set VFX assistance and advisor; compositor in the post production process.

Motion Graphics:

  • Around (PoliMi): 03:11 motion graphics animations setup and opening scene look dev.

Programs used:

Nuke, Maya, After Effects, Mudbox, MatchMover, PFTrack, Mari, Atomkraft, Photoshop, UVLayout, Mocha, Premiere Pro
Music: Rocket From The Crypt - Bring Us Bullets

Author: Vimeo Editor: Michał Franczak
Tags: reel 2015 AlessioBertotti
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